Even if the game explains this to a respectable degree, it just makes Becks seem kind of horrible. Rani is endearing, but Becks’ opposition to her world-saving crusade drives much of the game’s drama. Once you’ve done so, you’ll be taken on a linear journey, typically accompanied by some well-written and endearingly voiced conversation. To clean an area, you must eliminate both the adversaries and the gunk. Then there are foes that look like turrets that she may approach, turn on the suction, and then rip off. Rani simply sucks them in and tosses them. The most prevalent are the gunk-created creatures. When it’s all gone, there’s a green pop and the plants reappear. Typically, you’ll enter an area that has had its colour drained from it, and you’ll have to suck up all the filth to bring it back to life. It moves on its own, and sucking it up is actually rather enjoyable. The muck itself is well-rendered, and it resembles writhing infected jello. Rani’s major gimmick is a glove that serves as a vacuum, cleaning filth from the environment. The Gunk is a linear game that most people will finish in four or five hours. Still, The Gunk doesn’t speak anything about the dangers of destroying a planet for its natural riches, but that’s standard for most such games The planet appears cracked and dingy, similar to Okami and other environmentally-focused games, and taking care of business will gradually restore it to its former splendour. The energy is known as Geist in this world, and the gunk is a consequence of extracting it. Mako, the lifeblood of Final Fantasy VII’s world that was being drained by the wicked Shinra Corporation, is surely familiar to you. The game contains a number of powerful environmental themes.
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